There is fairly unanimous agreement that starting up is a journey. The beginning - the moment one starts unrolling a project- is often a very interesting phase because it is equally blessed and threatened by the lack of experience. Here follow the stories of three young entrepreneurs who show how they live the early stage of their venture.
The Bright Log
Among the colours, the loud noise, and the smell of food at a flea market in Mumbai, the detailed and black-dominated design of The Bright Log stands out. It is not only the thousands of narrow line patterns of their print that hypnotises the observer; the people behind the stall are even more striking.
Two girls smile from the jungle of designed items and move lightly in their limited space at the stand; while a third one sits a little away with a cat on her lap, a sketchbook in her hands, and her full attention on the shapes that are being traced by her pencil.
Umangee Babla handles collaborations, exhibitions, finances, PR and marketing; Aswathi Nair curates social media and communications, besides elaborating ideas for designs. Eshaa, the designer, is a self-taught artist. They started The Bright Log a few months ago alongside their regular jobs.
“We incorporate Indian henna doodles with line work in our designs,” they explain, adding, “we do not use too many colours in our notebooks and, if we do, we limit its use to one for enhancing the image.” The Bright Log creates notebooks, coasters, gift wrappers, canvas totes, handmade paper gift bags, gift tags, and gift cards etc which mainly attracts crowds of young people.“Sometimes we have kids coming up to us during exhibitions to watch the artist at work, take pictures and ask for autographs. This kind of recognition feels great,” the three girls smile. This is probably one of the main reasons the team wants to start with a kids range soon.
“We also want to revive a few art forms in our own style and make people aware of the forgotten arts. We are looking at collaborations with NGOs and cottage industries to provide work to artists who don't get their due. It's something we want to do to promote Indian products,” they say.
When asked whether their only all-women team was by choice, the trio replied it wasn’t. “It just clicked instantly the minute we all sat down and discussed how we need to do something more than just our regular jobs. Our aim was not to make money but to create an outlet for our skills,” they explain. “As we grow, we would like to expand our team with more talented people - both men and women.”
The team adds that at some point they did think their first books slightly leaned towards women because they portrayed Geishas, Matryoshka dolls, and giraffes in stilettos. “However,” they continue, “once we went live, there were guys coming to the stall and picking up these designs. So we really don't think art is gender specific. Good art is one-size-fits-all!”
When it comes to dealing with things, we think that we can do much better as women right from sourcing our raw materials to cracking good deals to running back and forth from the printers for each design sample and details. You got to do what you got to do.
The gender bias element emerges only rarely: “At times when we have to go sourcing for raw materials, the vendors take some time to realise that we make the final decisions. Besides that, I think we are all equipped to handle any kind of situation,” the ladies explain.
The Bright Log
Among the colours, the loud noise, and the smell of food at a flea market in Mumbai, the detailed and black-dominated design of The Bright Log stands out. It is not only the thousands of narrow line patterns of their print that hypnotises the observer; the people behind the stall are even more striking.
Two girls smile from the jungle of designed items and move lightly in their limited space at the stand; while a third one sits a little away with a cat on her lap, a sketchbook in her hands, and her full attention on the shapes that are being traced by her pencil.
Umangee Babla handles collaborations, exhibitions, finances, PR and marketing; Aswathi Nair curates social media and communications, besides elaborating ideas for designs. Eshaa, the designer, is a self-taught artist. They started The Bright Log a few months ago alongside their regular jobs.
“We incorporate Indian henna doodles with line work in our designs,” they explain, adding, “we do not use too many colours in our notebooks and, if we do, we limit its use to one for enhancing the image.” The Bright Log creates notebooks, coasters, gift wrappers, canvas totes, handmade paper gift bags, gift tags, and gift cards etc which mainly attracts crowds of young people.“Sometimes we have kids coming up to us during exhibitions to watch the artist at work, take pictures and ask for autographs. This kind of recognition feels great,” the three girls smile. This is probably one of the main reasons the team wants to start with a kids range soon.“We also want to revive a few art forms in our own style and make people aware of the forgotten arts. We are looking at collaborations with NGOs and cottage industries to provide work to artists who don't get their due. It's something we want to do to promote Indian products,” they say.
When asked whether their only all-women team was by choice, the trio replied it wasn’t. “It just clicked instantly the minute we all sat down and discussed how we need to do something more than just our regular jobs. Our aim was not to make money but to create an outlet for our skills,” they explain. “As we grow, we would like to expand our team with more talented people - both men and women.”
The team adds that at some point they did think their first books slightly leaned towards women because they portrayed Geishas, Matryoshka dolls, and giraffes in stilettos. “However,” they continue, “once we went live, there were guys coming to the stall and picking up these designs. So we really don't think art is gender specific. Good art is one-size-fits-all!”When it comes to dealing with things, we think that we can do much better as women right from sourcing our raw materials to cracking good deals to running back and forth from the printers for each design sample and details. You got to do what you got to do.
The gender bias element emerges only rarely: “At times when we have to go sourcing for raw materials, the vendors take some time to realise that we make the final decisions. Besides that, I think we are all equipped to handle any kind of situation,” the ladies explain.
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